Composer for Film, Videogames & Bands
I write emotionally driven music, uniting familiarity and novelty.
Based in Vienna.
Some of my current works
Created with Cubase 14 Pro + StaffPad, Cinematic Studio Strings, Orchestral Tools Berlin Strings, BBC Core, Albion One & good coffee.
Music for Film / Videogame: “Amalgam”
Creating the feeling of wonder, joy and ambiguity in an animated fantasy world, where only imagination leads the way. The name “Amalgam” stems from the idea of mixing stylistic elements (or just “feelings”) from modern hollywood filmscoring, to impressionism a la Debussy and Ravel, to the classical era of Haydn and Mozart. Photo by Nicky on Pixabay.
Symphonic Rock, Album-Intro: “Lilith” (collaborative)
The intro-track “Lilith” on AUTUMN BRIDEs latest album Bedtime Stories was written in collaboration with them. The singer Suzy provided a vocal melody, I composed and orchestrated the rest. The final mix was done by Norbert Leitner.
String-Ensemble: Adagio
An emotional, slow piece depicting a romantic
atmosphere, written in Rome and Tirol back in 2024.
Photo by Mihai Moisa on Unsplash.
Music for Film / Videogame: “Celtic shades”
A dark, melancholic scene depicting a female warrior, music orchestrated and composed for a fantasy scheme. The instruments: strings, brass and archaic synthesizers, creating a war-like, stark blend. Stock Photo.
Music for Film / Videogame: “Something Familiar” for large Orchestra
Inspired by a festive song, this piece was created over the course of a few months – its still in work – so here is a preview of a colorful, ambiguous piece for large orchestra. It offers demanding passages for the instrumentalists, lively rhythms and emotional depth to interpret. Illustration by Bianca Van Dijk on Pixabay.
Metal-Song: “Yours Sincerely”
A melodic and euphoric metal song I wrote for a solo project.
Stock Photo.
About Me
Born in 1998 in Vienna, Austria, music has been a defining presence throughout my life. Beginning with formal studies in acoustic and electric guitar under Rafael Neira Wolf, I later discovered a deep commitment to composition – initially working within metal, before expanding into orchestral writing. Currently pursuing musicology at the University of Vienna, with a specialization in music for film, video games and bands, I continue to broaden both my musical vocabulary and theoretical foundation. When approaching a new project, understanding the client’s aesthetic vision, boundaries and style takes precedence over any technical considerations. To fully internalize a specific artistic language before writing a single note is the professional principle I have come to rely on – resulting in music that sounds inspired, convincing and fresh.